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Michael Naranjo’s life is a testament to the power of human spirit and artistic passion. Born in 1944 in Santa Clara Pueblo, New Mexico, Naranjo’s journey from a young boy dreaming of becoming a sculptor to a renowned blind artist is nothing short of inspirational.

Early Life and Artistic Roots

Growing up in Taos, New Mexico, Naranjo was surrounded by art from an early age. His mother, Rose Naranjo, was a celebrated ceramic artist who introduced him to the world of pottery and sculpture. As a teenager, Naranjo would often wander the streets of Taos, peering into gallery windows and imagining himself as an artist one day.

The Vietnam War and Life-Changing Moment

Naranjo’s artistic aspirations were put on hold when he was drafted into the Vietnam War. During a patrol, a Viet Cong soldier threw a grenade that exploded in Naranjo’s hand, taking his sight and severely injuring his right hand. This tragic event could have ended his dreams, but instead, it became the catalyst for an extraordinary artistic journey.

Rebirth as a Sculptor

While recovering in the hospital, Naranjo had a pivotal moment that would shape the rest of his life. When a volunteer asked if he needed anything, he requested clay. Creating a small figure from this clay, Naranjo realized he could still pursue his passion for sculpting. This moment gave him a renewed sense of purpose and something to live for.

Developing a Unique Technique

Undeterred by his blindness and limited use of one hand, Naranjo developed his own sculpting technique. He relies on memories, descriptions from books, and occasionally dreams to create his pieces. His sculptures, often cast in bronze, depict a range of subjects including Native American warriors, hoop dancers, and wildlife.

Recognition and Achievements

Naranjo’s perseverance and talent have earned him wide recognition. His works are included in prestigious collections, including those of The Vatican, The White House, and The Heard Museum in Phoenix, Arizona. In 1979, his “Santa Clara Rain Dancer” sculpture won multiple awards at the Santa Fe Indian Market.

Advocating for Accessibility

Together with his wife Laurie, Naranjo has become a strong advocate for accessibility in the art world. They’ve partnered with museums to create touchable art shows, ensuring that people of all abilities can experience and appreciate sculpture.

A Touching Encounter with Michelangelo's David

One of the most poignant moments in Naranjo’s career came when he was granted permission to touch Michelangelo’s David in Florence, Italy. A special scaffolding was built to allow Naranjo to explore the iconic sculpture with his hands. This emotional experience, captured on film, showcases the power of art to transcend visual boundaries.

Legacy and Impact

Naranjo’s story continues to inspire people from all walks of life. His journey is the subject of a feature-length documentary, “Dream Touch Believe,” which explores his life, creative work, and the challenges he overcame to succeed as an artist.

Michael Naranjo’s life and work serve as a powerful reminder that with passion, determination, and creativity, one can overcome seemingly insurmountable obstacles and achieve their dreams.

Quick Facts about Michael Naranjo

Born: 1944, Santa Clara Pueblo, New Mexico

Branch of Service: US Army – 9th Infantry Division

Native American Tribe: Tewa Tribe

Spouse: Laurie Naranjo

  • Lost his sight and injured his right hand during the Vietnam War
  • Began sculpting during his recovery in the hospital
  • Works primarily in bronze, creating sculptures from memory and imagination
  • His sculptures are in collections at The Vatican, The White House, and various museums
  • Awarded First Prize, Best in Class, and Best in Division at the 1979 Santa Fe Indian Market
  • Received the Distinguished Achievement Award from the National Press Club in 1990
  • Named LIFE Foundation’s Presidential Unsung Hero in 1999
  • Granted permission to touch Michelangelo’s David in Florence, Italy
  • Subject of the documentary “Dream Touch Believe”
  • Advocate for accessibility in art, promoting touchable art exhibits
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